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Now you can organize your columns as you wish-resizing and customizing your x-sheet layout. The new docked x-sheet opens to the right of your animation window.

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When you’re ready, export a QuickTime movie for other departments to review.ĭraw directly on the x-sheet with the pencil and auto-smooth poly-line tools. Loop through a section, step through it frame by frame, or scrub it with the mouse. Play back your lip-sync within the audio workspace. When you are ready to animate, you can view your track reading information in the animation window via the x-sheet, timeline or heads up character displays.

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Perform full lip-sync for multiple characters with replacement mouth and eye sets, directly within the audio workspace. When you are ready to shoot a scene, you can import just that section of the track reading. Add markers to specify when each scene or take begins. Gain maximum efficiency by track reading your entire project at once. You can even specify shape sounds and hot-keys within the PSD file. You can create a Dragonframe face set by making a multi-layer Photoshop file. Many studios use replacement mouth sets to animate dialogue. Make bold editorial choices with the flexibility to change your mind. You’ll be completing pop-through tests in record time.ĭo you remember when you deleted those frames, only to realize later that they were the perfect shot? Open the delete bin to find all of your deleted frames, then drag and drop them back into your timeline. Quickly adjust timing by creating holds on frames. Or use standard keyboard commands to cut, copy and paste. Editing is visual and intuitive-select a range of frames, pick them up, and drop them at the new location, with the option to insert or overwrite. With the new frame-based timeline editor in Dragonframe, you can move, delete, copy, hide and make holds with ease. View or hide your waveform data, dialogue track, phonetic cues and mouth replacement guides right in the timeline. No accidental frame overwrites and you never lose sync.Ĭonfigure, with ease, the audio elements you need to work with. When you’ve finished, the camera pops back to the end. Select those frames and choose ‘Reshoot.’ The camera icon moves to the first frame and you reshoot. Link exposures to keep their settings locked together.ĭo you need to reshoot a few frames in the middle of your scene? Worried about sending the rest of the track off sync with your audio and camera move? NO worries with our Reshoot frames feature. Create exposure bracketing with different shutter speeds. Set up multiple exposures (sub-frames) with different camera settings. Compare image contrast with the Digital Densitometer. Load images from other scenes to compare exposure and composition. Check for over or underexposed areas with the clipping view. Add a push-in mask to allow post-production push-in or panning.Ĭheck images at full-resolution. Add grid overlays for help with composition. Take test shots and get your shot right before you start.Ĭompose for multiple formats with confidence. Check and adjust focus with Canon and Nikon cameras.

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Set camera settings such as shutter speed, ISO and white balance directly from the program. Blend the layer with onion-skin or even pull a chroma key on it. And the hotkeys are fully configurable, so if you really like a feature that is not on the keypad, you can move it there.ĭo you have an image, movie or previous Dragonframe scene you need to reference while you shoot? Load a line-up layer and view it with your animation. The most useful animation tools are available through the included Dragonframe keypad, allowing you to stay focused on animating instead of hunting around with the mouse. Turn on auto-toggle to toggle between live view and a capture frame, or loop playback to get the sense of movement you’re aiming for. Or you may choose to step up your game by stepping directly between live view and the captured frames. You may feel most comfortable animating with onionskin-blending your live view over the previously shot frame.

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Dragonframe 3.6 lip synch